Correspondence
Found in 79 Collections and/or Records:
Barbara Drake Collection
Virginia Judy Esterly Papers
Fiske (Kenneth G.) Papers
This collection contains the personal papers of violinist Kenneth G. Fiske, who joined the Pomona College faculty in 1936. A musical prodigy, Fiske studied at many prestigious music programs and under prominent European and American instructors. At Pomona, Fiske taught the violin and was the conductor of the college's symphony orchestra. Materials include correspondence, sheet music, audio recordings, writings, and teaching materials.
Charles A. Fowler Papers
This collection contains course materials, departmental correspondence, research notes, reports, photographs, and articles belonging to Pomona College physics professor, Charles A. Fowler.
Annette (Thorley) Françoise Collection
This collection includes materials that trace and span the career of artist Annette (Thorley) Françoise. The collection features public relations materials, press releases, interview transcripts, exhibition proposals, reviews, and correspondence related to Françoise and her artwork, as well as photographic materials and sketches by the artist.
Charles S. Frey Memorial Bicycle Collection
The Charles S. Frey collection contains materials related to bicycling and bicycle enthusiasts ranging from pamphlets and periodicals to illustrations and comic books. It was created by Ruth Frey Axe in honor of her nephew, an airman who lost his life during World War II. She began collecting in 1956, and acquired diverse and hard to find items, including some of the earliest 19th century pamphlets on bicycling.
Paul Fussell Collection
This collection contains correspondence between Paul Fussell, Pomona College administrators and trustees, and others, regarding Pomona College business interests. A selection of Pomona College ephemera and publicity publications are also included.
Pamela B. Gann Collection
Matt Garcia Papers
Genay Family correspondence,
Correspondence, photographs, greetings, and published ephemera, 1917-1935, primarily illustrating the World War I Era narrative of the French Genay family and their involvement with the charitable organization, Fatherless Children of France [Fraternite Franco-Americaine].